I think Gartered Trogons are my new favorite bird.

I have just spent the evening drawing a lovely selection of beans because of yes.

Weeeee’re gettin’ there.

Hey look, it’s Hughes! Here’s a quick shot I put together so Shawn and I could finalize the style choices for his title sequence. 

(Source: tenthmuse.net)

Animated Detective Hughes is soon to be at your service.

I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project. I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.
None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project.

I’ve finished shooting for all eight of my sets for The Last Four Years - here’s a first look at all of them together. If you’re in your dashboard, you can click on the photos for current working set titles.

None of these are shots that will be used in the final book (some are just straight-up outtakes), but I’ve put them together to demonstrate the color progression over the course of the series. There’s a special personal significance in each of them that you’ll be able to learn about in the final web version of the project.

(Source: tenthmuse.net)

Tracing this scan and occasionally noticing that bit of my mom’s recipe is hilarious to me for practically no reason.

err’day I’m letterin’
(…and writing down my mom’s baller salmon recipe for dinner tomorrow, nom nom) err’day I’m letterin’
(…and writing down my mom’s baller salmon recipe for dinner tomorrow, nom nom)

err’day I’m letterin’

(…and writing down my mom’s baller salmon recipe for dinner tomorrow, nom nom)

(Source: tenthmuse.net)

A color test from my shoot with Devin. The final set of images from this one will be a bunch of mixed media.

(Source: tenthmuse.net)

  1. Camera: Canon EOS DIGITAL REBEL XT
  2. Aperture: f/6.3
  3. Exposure: 1/30th
  4. Focal Length: 78mm

Super extra quick editing test for my first series. I’m not really going precise yet, just playing around with some color ideas.

  1. Camera: Canon EOS DIGITAL REBEL XT
  2. Aperture: f/6.3
  3. Exposure: 1/125th
  4. Focal Length: 78mm